Honma Toshio: CONCERNING CLAY AND DRY LACQUER TECHNIQUES OF CLASSICAL TEMPYO PERIOD SCULPTURE. N.p., 1998. 282 pp. 8 colour and 98 b/w plates. Text drawings. 30x21 cm. Cloth.
An important study on the two major techniques, clay and dry lacquer, used in the production of Tempyo period Buddhist sculpture. The author is himself a sculptor of Buddhist images. With 3 page glossary of terms. Useful for researchers and conservators. In Japanese only.
Available, as of: 12/02/2018
Was item 136 in printed List 191.
Record produced by Hanshan Tang Books, www.hanshan.com.